It’s not everyday that you get to catch an international band’s debut Australian show. There’s always a special kind of energy at these shows, an energy that was truly in the air when Canadian dream-pop darlings TOPS played at the Brisbane Powerhouse.
Support act Platonic Sex kicked off the night, who brought their post-punk sound to the night. These guys have been on our gig bucket list for a hot minute, and with good reason. They bring a sense of joy and energy to the stage that often comes with a young local band, and you’ll be sure to catch us front row at their next headline gig.
Photos by Jack Gobbe
As TOPS arrived on stage, they launched into "Janet Planet," a track that set the tone for the evening with its dreamy melodies and ethereal vocals from lead singer Jane Penny. The crowd was immediately captivated by the band's ability to effortlessly transport listeners to a sonic landscape that felt like a nostalgic journey through time.
As the setlist unfolded, TOPS delivered a mix of fan favorites and tracks from their latest album. "Circle the Dark" showcased the band's skillful instrumentation, with David Carriere's intricate guitar work complementing the pulsating rhythm section. The dreamy and introspective "Waiting" followed, creating a hushed ambiance that held the audience in rapt attention.
"Pirouette" and "Perfected Steps" continued to showcase TOPS' signature sound, characterized by Penny's airy vocals and the band's seamless fusion of electronic and organic elements. The crowd swayed and danced to the infectious beats, illustrating the band's ability to connect with their audience on a visceral level.
"I Feel Alive" brought a burst of energy to the set, with its upbeat tempo and catchy hooks. The band's chemistry on stage was evident as they effortlessly navigated through the dynamic shifts in their music. The infectious energy continued with "The Hollow Sound of the Morning Chimes" and "Echo of Dawn," further solidifying TOPS' reputation for crafting songs that are both emotionally resonant and danceable.
The setlist took a turn with "Dayglow Bimbo," a track that showcased the band's willingness to experiment with different sonic textures. The dreamy and introspective mood returned with "Colder & Closer," creating a sonic landscape that felt both intimate and expansive.
As the night reached its climax, TOPS treated the audience to the infectious grooves of "Way to Be Loved" and the dreamy, synth-laden "Petals." The crowd was fully immersed in the band, truly welcoming TOPS to Australia with open arms.
